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Festival Network Online

Festival Network Online Newsletter - Performer Edition -  May 2009
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A note from the FNO newsletter editor...

Hello $member_name,

The festival season is starting and we hope you are all having luck finding some good shows. You can also get noticed with your FNO online presence, and now the Festival Biz Directory is tied to your FNO Community profile. Those who have uploaded photos are listed first, so put a photo up today! We are also starting to see some good information in the Community Forums - drop by and put in your 2 cents.

This month, Jeri Goldstein offers advice on how to book book return dates at venues you've already played - an important thing for touring bands to consider in order to establish a loyal following.

May also brings back the return of the featured artist section to our Musician's newsletter. This month, check out Gilpin Railroad Incident from Maine!

Happy Booking!

The FNO Staff
Festival Network Online

How to Successfully Book Follow-Up Gigs with Club Owners and Bookers by Jeri Goldstein

Keeping your band on the road gigging is a constant challenge for any artist. As a self-managed, self-booking artist, you need to be even more diligent in your attempts to book tour dates. In your efforts to build a loyal following in specific markets, it is important to book return dates at venues you've already played. There is no better time to begin negotiating a return date as at the time you are settling the current date.

Before heading to the room where you will settle the night with the club's manager, make sure you have your tour calendar with you along with your current contract. You want to have a copy of your contract to make sure the actual settlement matches the contract figures. This also gives you a chance to write all the pertinent information about that night's gig right on the contract, such as how many seats were sold, how many of your comps actually showed up and if you have the information then, how you did in merchandise sales. Next, write the name of the person settling the show if it is not the person with whom you originally booked the date.

After you finalize the settlement, you now have current information available about this date to use as leverage to open a discussion about booking a return date. Hopefully everything went well and everyone's expectations were met or were surpassed. If this was your first time in the venue and you did some business, then the club might be more enthusiastic about helping to build your following by bringing you back soon. As you look at your calendar, begin making a few suggestions about convenient future dates. This is a great time to ask who they've got coming up that might work for you to open the show and get in front of a larger audience. The person just saw you perform, they may be more eager to think about placing you in front of some main acts they booked. Even if the person settling the show is not the person who books the talent, beginning this discussion with them captures their enthusiasm for the gig just played. Mention that you'll be calling the booker in a day or two and it would be great if the person with whom you are settling could pass along comments about how well the show went that night.

While you have their attention, you might ask how they felt about the show. Now that you know the venue a little better having just played it, perhaps you have some additional ideas on how you can work together to boost some area publicity for your next time in. If you demonstrate your enthusiasm for returning, it is infectious. If you don't have these discussions about future gigs right then, everyone's excitement about the evening will dwindle as they are busied with the next night's gig and the next artist coming in. Capture the moment while your show's memories are still hot.

If the person who settles the date actually is the booker, then you have an even greater chance of at least getting a hold on a date or two. The booker would have a much keener sense of how the upcoming calendar is shaping up. They would know where you might fit in or who might be the perfect match for you to be the opener. They may not actually book the date right then, but there is a good chance you might be able to consider a few specific dates, get holds on them and then when you call back you beginning your conversation in a much better place with some momentum behind the call. There is greater likelihood that you will finalize a return date much sooner by initiating the discussions while at settlement.

What happens when you wait? Most artists get involved with their travel and the current touring schedule. They may not call the venue for a return date until the tour is over and the band is home. This loses the impact and the immediacy of opening the discussions on the night of your last show at the club. Capture the excitement of a good gig. Wouldn't it be great to return from a tour and all the calls you have to make are simply ones confirming most of the next tours dates? This would be fabulous in a perfect world. You will probably have to do some juggling of dates, a number of callbacks, but the essential question of whether or not they want you back will have already been answered. Now finalizing the right date is all that is left. The really hard part was taken care of the night of the gig. Give a try, good luck.

And, I invite you to learn more about this and other topics important to
your career development and to sign up for free weekly audio Biz Booster Hot
Tip! Every Monday you'll get another valuable strategy and technique that
you can put to use immediately. You'll find helpful books, career
development seminars, Booking & Touring Success Strategies & Secrets online
course and information on booking tours, the music business and performing
arts. It's all waiting for you at

Jeri Goldstein is the author of, How To Be Your Own Booking Agent The
Musician's & Performing Artist's Guide To Successful Touring 3rd Edition.

Featured FNO Artist - Gilpin Railroad Incident

Gilpin Railroad Incident

This month's featured musicians are FNO Members Gilpin Railroad Incident. The band was founded in the basement of a rural Maine Cape in September 2005 when three friends who were cover band refugees decided to chase a long-held ambition: playing their own music.

Gilpin Railroad Incident
Drawing from a wide array of musical influences, including southern & classic rock, contemporary country & pop, and blues, Gilpin Railroad Incident is fast becoming noticed for their dynamic musical energy and intricate three & four part vocal harmony work. Check out their FNO profile to see their upcoming gigs and visit their MySpace to listen to the band.

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