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A 10 Step Approach to Develop a Series of Exhibition Paintings

posted July 23, 2013
A 10 Step Approach to Develop a Series of Exhibition Paintings Lori McNee Facebook Twitter More...

 

 

A lot of thought and exploration goes into developing a series of paintings for an art exhibition.

Today, this has been a topic of conversation between my good friend and fellow artist, Shanna Kunz and me. Shanna and I are exhibited together in an all women art show, Broad Brush Stokes.

Shanna and I love to talk ‘shop’ when we are together. Today, we have been discussing the importance of producing a cohesive body of paintings for each of our upcoming winter exhibitions.

 

I was really impressed with Shanna’s clear 10 step approach to developing a series of exhibition paintings. Shanna is a landscape painter, but these steps could be applied toward any painting subject.

One

The first step is to decided upon a theme.

For example: For a landscape painter, the theme might be a regional location, or a season, or you might choose to focus on abstraction, or paint quality.

Two

Next, it is important to plan the shape and sizes of your paintings. There is an emotional connotation attached to different formats.

  • Horizontal = peaceful
  • Vertical = majestic, active
  • Square = risky, contemporary
  • Standard = traditional

 

Read more!

 


comments

fnoadmin
by fnoadmin, posted July 24, 2013

First of all, I would suggest researching art gallery archives to see how other found-artists have had success in the past with exhibition. Best wishes!

by oneoff, posted July 23, 2013

Lori's 10 steps are indeed simple and straightforward. They parallel most advice about preparing exhibit or gallery paintings. What I have yet to see (and fondly wish for) is advice for the found-object artist. With found objects the object itself usually suggests, if not outright controls, the theme,size, palette, framing and most every basic aspect of the work. That is not to suggest that the artist has no role, far from it. But the very nature of such art precludes anticipatory planning and likelihood of uniformity. Such artists (well, I) treasure the surprise and variability of this approach. Any suggestions out there on how to present such work in a way to get the gallery or exhibitor to sit up and take notice?
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