The Upside of RejectionCarolyn Edlund, founder of Artsy Shark
An artist recently expressed her frustration at being turned down over and over again for a solo show of her work. She had submitted proposals to university and public galleries, and arts organizations with gallery space for more than a year.
Her sculptures were a series of vaguely grotesque organic-looking fleshy pods, and other pieces that looked like body parts or aliens. Asked what was unique about them, she cited a technique she had invented to work with foam rubber, which was her material.
She had previously been in a highly successful group show that toured the country. Her sculptures in that show were female nudes which made a provocative statement on sexuality.
What happened here?
The artist failed to realize that her work in the successful show related to a highly charged topic, and one that would appeal to many gallery visitors, while her current work doesn't connect with people emotionally. Nobody really cares about her foam rubber technique, and the shapeless forms of her work are more perplexing than interesting.
I, as a professional artist, apply to a show all weekends and when I get rejected, I JUMP FOR JOY. ps I have been doing shows most weekends for 35 years, still love it by hdzalp, posted March 20, 2013
the think I hate, hate, hate about rejections is they so rarely come with comments so I can make changes and hopefully become more seallable.