Why Backup Plans Fail

Do you want to become a professional musician, but don't know where and how to start? Do you really want a successful career in music, but your fear of failure is holding you back? Are you unsure about what to do if your plan doesn't work?

Most aspiring musicians receive a lot of advice from friends and family about the best approach to take with building their music career. Among the many things suggested, is the idea of having a backup plan. Many people give advice about "the need to have something to fall back on in case the music career doesn't work out" or "a Plan B". Typically, musicians are encouraged to go to school and get a degree in something they can easily find a job in, and do music on the side, in their "free time".

If/when you reach the point where your music career begins to develop, you are probably advised to work less in your day job and focus more on the music until you can leave the day job and make the music career work for you. This advice sounds good in theory, but in reality fails to work as intended in almost every case. Why? Usually the job that most musicians get to support themselves until their music career kicks off, has nothing to do with music in general, or their music career specifically. As a result, most end up in a very frustrating situation that makes it virtually impossible to achieve lasting success as a professional musician.

4 reasons why this kind of "backup plan" is usually doomed to fail

Reason #1: Not having an effective exit strategy.

The idea of slowly phasing out your day job while building your music career is good, but in order to work, it needs to be done in the right way. Most musicians have nothing planned or prepared that will allow them to gradually decrease the time spent at their day job and focus more on music. When choosing a "backup plan", musicians typically find a job that is the most "safe and secure" and the one that pays the most money. However, most people fail to plan the "exit strategy" and think ahead to the time when their music career situation will allow you to focus less of your time on the day job. When they finally reach that point, they realize that they are trapped in their day job and are unable to "gradually" phase it out. They are faced with the choice of either quitting the job entirely, or sticking to it until retirement (more on this shortly).

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