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How to Engage Your Art Website Visitors

posted May 23, 2013
How to Engage Your Art Website Visitors Carolyn Edlund of artsyshark.com Facebook Twitter More...

 

 

 

Getting website traffic is step one. Now, keep those visitors in the loop and coming back. Here are a few tips on increasing engagement with visitors to your art website:

 

"9 Knots" by artist Manon Sander

 

1. Make your Home page inviting with a compelling image of your work and a professional design.Be sure that your website is easily navigated. Frustrated visitors will just click away.

 

2. Craft your "About" page carefully, because it's not all about you, it's also about your website visitor.To keep them reading you need to create "emotional resonance." Tell your story in an authentic, personal way, in the first person. Include your photo so they feel that they know you. Don't get caught up in unintelligible artist statements that no one can decipher.

 

Read more!

 

Become a DIY Promoter

posted April 25, 2013
DIY Music Tips: Become a DIY Promoter
Bret V of Music Zen
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How to Become a DIY Promoter:

 

  • Find a Venue: This is the important one, because without a venue, there is no show. This can be as simple as a garage, basement, pole barn, field-anything with power and room for a band. It also doesn't hurt if you can avoid getting noise complaints, so sound proofed or somewhat isolated are important factors.

 

 

  • Find a Backup Venue: It's only a matter of time before you run into venue problems, so why not be prepared? Sometimes a venue will close for repairs or financial reasons. Sometimes they will get cold feet. Sometimes you don't have enough money for a deposit, so make sure you have a backup plan. There's nothing worse than having the bands booked only to find out that you don't have a place for them to play.

 

 

  • Book a Headlining Band: You may want to start small with some local bands to get a feel for the process and pitfalls before you invite a touring band to play. Pick the band you think will have the biggest draw. Sometimes this doesn't necessarily mean they will be a good band, but they may have lots of friends or fans. The key is to get a good turnout. Remember, touring bands are often sleeping on floors, living on crap food and playing to small, unforgiving crowds, so think about how to entice them. Offer them a place to sleep, a nice, home-cooked meal and work your tail off to get them a good crowd. Also ask them how much they need to make for gas and expenses. And if you are cooking or providing food, make sure you know if they are vegetarians, vegans or omnivores. Some bands will want a guarantee, meaning they need to make x amount of dollars each show. Your best bet, if you are a small promoter, is to avoid such bands. Avoid contracts. Just promise you will work hard for them and deliver.

 

Read more tips on becoming a DiY Promoter!

Food Truck First Impressions

posted April 25, 2013
Food Truck First Impressions (Tips & Tricks)
Brian Sacks of www.mobilefoodprofits.com.
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If there is one sure way to kill your Mobile Restaurant it's not having it properly painted or wrapped. You see many are still skeptical eating "street food." I am amazed to see owners spend money on a vehicle and equipment only to scrimp and be cheap when it comes to the truck's appearance.

YOU ONLY GET ONE SHOT AT A FIRST IMPRESSION.

Yes, I know that sounds cliche and it is. But that doesn't mean it's not true. People will see your vehicle and in 5 seconds decide if they are comfortable eating your food. It doesn't matter how good it is! It only matters what they see.

YOUR OPTIONS

You can either have your truck painted or wrapped. I prefer wrapping the truck. Your investment would be 1000-3000 for the paint option and about 3000-5000 for a decent wrap.

You should try to use catchy hot or neon type colors so they"pop" when people see you coming.




Read More Here!

Getting Your Music on Pandora Internet Radio

posted April 25, 2013
Getting Your Music on Pandora Internet Radio

Michael Zapruder, Pandora Music Curator

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So that’s the first thing you need to know. If you are connecting with an audience or community in a strong way; if you’re playing good rooms and getting attention, you will have a fine chance of getting into our collection.

We know we can’t find everything, though, so for the many deserving bands that we miss for one reason or another (and for bands that are just starting out), we offer a web-based music submission process that is free and open to everyone.

Here’s how it works:

  1. Register for Pandora (the submission process is connected to listener accounts, so you can use your existing account if you have one).
  2. Go to http://submitmusic.pandora.com and follow the directions for submitting.
  3. If your CD meets the requirements for submission (you have to have a valid UPC code and the record has to be for sale in the Amazon CD store), you’ll be prompted to upload two songs along with any biographical or press information and any links you’d like us to know about.
  4. When we get to your submission, we listen and make a decision about whether your submission is right for us.  (This takes time, so be patient.)

Read more here!

Art Blogging 101

posted April 24, 2013
Art Blogging 101: Think Locally / Regionally When Blogging About Art Brian Sherwin Facebook Twitter More...

 

 

The artists I've known over the years tend to share a desire -- they want to have a solid local or regional presence. In other words, they want to be recognized for their art within their community or surrounding community. In addition to that, they often desire to be a 'known name' within their local art community -- even if their art community is spread out between several towns/cities (which may very well be the case for an artist living in a small city or rural town). Establishing local / regional recognition can be an uphill battle no matter where you live. That said, many artists appear to forget that their art blog can help in the 'climb' -- even if it amounts to just one little step (connection) at a time.

 

Before I delve into this further I want to offer some clarification. This Art Blogging 101 article was written with small city / rural artists in mind -- and how they can benefit from local online searches for specific art-related venues/events in their area. Artists living in larger cities may be able to benefit from this strategy as well -- though it will be more difficult to achieve. Especially if the 'big city' in question happens to have a very active art community -- and thus a steady flow of online content about art news in general. Point blank -- the 'numbers' can work against 'big city' artists... you'll understand if you read further.

 

Read more!

 

Unseen and Unsold

posted April 24, 2013
Unseen Unsold
J Michael Dolan Facebook Twitter More...

 

 

 

The Internet provides us with an opportunity to do it all ourselves. However, there

A Commissary Serves a Variety of Functions

posted March 21, 2013
A Commissary Serves a Variety of Functions in a Food Concession Business
Barb Fitzgerald of foodbooth.net

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A concession business usually includes a commissary - a place to store and service equipment and stock between events. The commissary of a concessionaire who serves a simple menu may be something as easy as a little floor space in the corner of the garage, where, he or she has installed some shelving to store extra cases of product. However, concessionaires who operate complex operations, with large and diverse menus, need a space that functions as an equipment warehouse, stock warehouse, repair shop, and vehicle yard. Concessionaires often use what they have at home to serve this function, such as, their garage, shop or shed, and parking area, where their large collection of food service equipment and support vehicles is kept and serviced. This collection almost always includes standard equipment like grills, deep fryers, steam tables, and propane burners. With these four basic pieces a concessionaire can sell almost anything; from hamburgers, hot dogs, curly fries, elephant ears, stir fry, sausage for breakfast, and more. In fact, most dishes sold on the midway are prepared with one of these four pieces of food service equipment. The warehoused collection of equipment will also include ice chests, freezers, beverage and condiment dispensers, utensils, sneeze guards, tent poles and canvases, signs, propane tanks, water hoses, electric cords, floor mats, pop canisters, garbage cans, dish washing tubs, and much, much more.

Also in storage will be food stock. A collection of freezers might hold cases of stir fry noodles, diced chicken, hamburger patties and corn dogs. On shelves will be non-perishable items like cases of nacho chips, cans of nacho cheese, hamburger buns, cans of ketchup, and beverage mix.

Read more here!

Profit Tips for Art and Craft Business

posted March 21, 2013
Profit Tips for Art and Craft Business
Ann Barber of National Craft Association

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The secret to success in your art and craft business is to "Think Profit", not just at the point of a sale, but apply this thinking to everything you do for your business. Profits don't just happen with a sale. They are created by careful planning in every aspect of your business. Plan for profits!

1. Make sure you have the total cost for the item before establishing the selling price. Be sure to include a reasonable labor charge, overhead and fixed expenses to your actual materials and supply cost for each item. If you don't price to cover total cost, you will not make the amount of profit you need to grow your business.

2. Be cost effective. Don't spend 10 hours creating an item that you can only retail for $30. Set a dollar amount for your labor. Design products that keep the time investment low and profit margin high. Evaluate how to be more time efficient with the products you make. Learn to group tasks together to save time. For example you are going to make 2 dozen of one item; cut all the ribbon needed at once, paint all the same color at once, do all the gluing of pieces together at once, etc.

Read more tips here...

The Upside of Rejection

posted March 20, 2013
The Upside of Rejection

Carolyn Edlund, founder of Artsy Shark

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An artist recently expressed her frustration at being turned down over and over again for a solo show of her work. She had submitted proposals to university and public galleries, and arts organizations with gallery space for more than a year.

Her sculptures were a series of vaguely grotesque organic-looking fleshy pods, and other pieces that looked like body parts or aliens. Asked what was unique about them, she cited a technique she had invented to work with foam rubber, which was her material.

She had previously been in a highly successful group show that toured the country. Her sculptures in that show were female nudes which made a provocative statement on sexuality.

What happened here?

The artist failed to realize that her work in the successful show related to a highly charged topic, and one that would appeal to many gallery visitors, while her current work doesn't connect with people emotionally. Nobody really cares about her foam rubber technique, and the shapeless forms of her work are more perplexing than interesting.

Read more tips here!

License Your Music

posted March 20, 2013
License Your Music to Movies and Television Shows

David Codr of www.musicpage.com

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If you are like me, you're tired of hearing how bad the economy is. But there's a silver lining to the bad economy for musicians and songwriters. A way to get paid while getting a ton of free exposure for your band.

For years, motion pictures and television shows have paid big bucks to major label artists to license their music. These studios pay major label acts tens to hundreds of thousands of dollars to license their songs to use in films and TV shows.

But when the economy hit the proverbial crapper, many of the studios started to look for ways to cut their costs. They quickly realized that they could save thousands of dollars by using independent music instead of the songs from major label acts.

Since independent artists don't have the CD sales, radio plays or name recognition of the majors, the studios found they could license great music that hadn't gone mainstream for $2,000 - $10,000 a track

Its a win-win for everyone. The studios save hundreds of thousands of dollars. The independent artists are happy to get a few grand to use their song, plus they get the exposure of having their song in a major motion picture or television show.

Read more here!

It's Time Your Event Went Mobile

posted March 20, 2013
It's Time Your Event Went Mobile
Shane Mayer of Gyde.ly
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There is an ever-increasing presence of technology in our daily activities, particularly through use of smart phones. According to Neilson, at least half of U.S. consumers are now using smartphones, and the proof is in the 'profile': 3 billion 'Likes' are doled out on Facebook every day, Twitter posts one billion tweets every 3 days and several hundred million photos are shared throughout the vast social media spectrum.

 

A live event can really capitalize on this interactive growth by combining the actual event with an ongoing online presence. A new study by Pew Research Center's Internet & American Life Project for the U.S. National Endowment for the Arts found that digital and social media greatly impact the way cultural events are experienced. The more interactive the event can be with its attendees, the better. It makes sense as people desire to be 'in the know' with up-to-date info, and event planners are taking notice.

 

Read more and find an app offer from gyde.ly and FNOhere!

 

Vending Carts or Food Concession Trailer - That Is The Question?

posted February 21, 2013   category » Festival Food Vendors
Vending Carts or Food Concession Trailer - That Is The Question?

Deciding whether to enter the food service business with a vending cart or food concession trailer can be a difficult choice.

During the course of a week I receive one similar question time and time again; "Should I start my business with a concession trailer or a vending cart?"

The answer to the question is subject to a lot of things, but at the end of the day, if this is someone's first venture into the food service industry then I usually recommend a vending cart.

For the individual who has little or no experience in the food service industry, a vending cart is a much easier and much more economical entry point than a concession trailer. Used vending carts can be purchased for as little as $3K and depending on the food service that the person wants to offer, little if any food cooking or preparation experience is required. Many vending carts are little more than freezers on wheels, offering ice cream, Italian ices and popsicles. Others are food warmers, offering hotdogs, pretzels and other hot, pre-prepared foods. The more complex carts are barbeques on wheels, allowing the operator to cook items to order such as hamburgers, sausages, hotdogs, and spareribs.

In recent years, vending cart franchises have started, offering the budding entrepreneur a supposedly proven methodology to a specific product. Along with the methodology comes training in everything from the item(s) to be sold to an education on finding venues and bookkeeping skills.



Robert Berman of mobilecateringbusiness.com

 

Event Venue Selection

posted February 21, 2013
15 Useful Event Promotion Tips
The Writing Team of LifeHack.org
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In a recession, the entertainment industry thrives. So if you are thinking about trying your hand at event promotion, I have some suggestions for you:

  1. You need at least two weeks to advertise. Use different color flyers with different ads for the same event. Use original artwork and be creative. Be brief: Too much information is bad information in modern advertising.

Read more here!

4 Reasons to Create Abundance versus Clutter

posted February 21, 2013
4 Reasons to Create Abundance versus Clutter
the Writing Team of retailpackaging.com

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The first rule that craft show exhibitors want to remember is that the eye likes to roam and take in the entire display. A person gets a feel for the booth and the crafts available through the presentation, and level of professionalism created by the display.

photo credit: BitchBuzz - http://www.flickr.com/photos/bitchbuzz/

1. There is a psychological benefit to having the sensation of abundance within the organization of your display. That does not mean clutter. Everything you have or have ever created cannot be on display at the same time. Abundance versus clutter provides the customer with a good feeling

When You Should Post to Social Media

posted February 20, 2013
When You Should Post to Social Media
Jackie Bagwell

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Using social media to promote your work and yourself can be a fantastic tool for an artist. However, timing is everything. The last thing you want when using these methods is to get everything posted perfectly, only for nobody to see it.

When it comes to close friends and family, your best bet is posting on the weekend when they have leisure time to spend reading involved posts and click on links you send their way. That's not who you market your art to, though, so let's talk about the perfect times to post on various social networking sites to reach new and returning fans. These times were pin-pointed by various research projects done over the span of the last decade to determine when most people use their social networking sites, and when they pay the most attention to new posts. Each site is a little different, since they try to target slightly-to-drastically different demographics.

Read more tips here!

1,000 True Fans

posted February 20, 2013
1,000 True Fans

Kevin Kelly

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The fan base 'long tail' is famously good news for two classes of people; a few lucky aggregators, such as Amazon and Netflix, and 6 billion consumers. Of those two, I think consumers earn the greater reward from the wealth hidden in infinite niches.

But the long tail is a decidedly mixed blessing for creators. Individual artists, producers, inventors and makers are overlooked in the equation. The long tail does not raise the sales of creators much, but it does add massive competition and endless downward pressure on prices. Unless artists become a large aggregator of other artist's works, the long tail offers no path out of the quiet doldrums of minuscule sales.

Other than aim for a blockbuster hit, what can an artist do to escape the long tail?

One solution is to find 1,000 True Fans. While some artists have discovered this path without calling it that, I think it is worth trying to formalize. The gist of 1,000 True Fans can be stated simply:

Read more here!

Opening Acts

posted January 24, 2013
Opening Acts... Does Playing Before a Rock Star Make You One?

Sheena Metal

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It's the dream of many a musician to open up for either: their favorite band or the favorite band of their childhood. For many, the ultimate in true rock star status is to share a stage with the musicians who made you want to play music in the first place.. to see you name in lights (or printed on a flyer, as the case may be) with the guys (or gals) whose music you listen to almost as much as (if not more than) your own.

But is it really a good idea, as an unsigned artist, to open up for an act already known to the general public? Will you get anywhere near the recognition opening up for "Pearl Jam" in a large venue that you would at a local club playing with other unsigned bands? Will you fans dig your music as hard as ever or will they forget all about you in a mad frenzy to have Eddie Vedder sign their backs?

It's a double-edged sword that many artists forget to think over carefully before rushing starry-eyed into the excitement of being the opening act for: (Insert Name Of Famous Rock Star Here). In many cases, venues and promoters still expect your crowd to turn out and drink it up at shows, even though the headliner will draw a big crowd of their own. Many of these shows are an hour plus away from your local area and tickets can be upwards of $100. Is that something you can expect your friends will be up for?

Read more here!

A Concession Business Can Be Big or Small

posted January 24, 2013   category » Festival Food Vendors
Last year, I received an email from a woman disputing a claim I made on my website: that a person can start a small concession for $500. The woman said her family had been in the concession business for over 50 years doing some of the largest fairs in the country. She went on to describe, in detail, the tens of thousands of dollars she and her husband were spending to equip their new concession trailer, purchase insurance, support vehicles, pay event fees, travel costs, and so on. I wrote her back explaining my position; that very few people start a concession the way she and her husband were doing, with benefit of a long family history of experience, and with an eye on large sales at high attendance events. Most concessionaires get their start in a much more modest fashion, without previous experience, and with an inexpensive booth doing small events. Some go on to run high volume booths at major events, but many do not.

 

Read more here!

Event Venue Selection

posted January 23, 2013
Event Venue Selection
The Writing Team of EventEducation.com
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Keep following things in mind while selecting a venue for your event:

1) Target Audience/Guest Size

This means the number of people you are expecting to attend your event.

Make sure that your venue can easily accommodate your expected target audience. Your venue should not be too small or too large for your guests. If too small, then your guests will feel discomfort. If it is too large then you will unnecessarily end up paying more for the venue.

Get firm indications whether guests plan to attend your event by sending R.S.V.P clearly printed on the invitation.

The term R.S.V.P is a French acronym. Its meaning in English is 'Please Respond'. If R.S.V.P is printed on the invitation then the invited guest is expected to tell the host whether or not he/she is attending the event. Since many people don't understand the meaning of this term or don't bother to reply back, it is advisable to individually call and ask your guests about there plan to attend the event. In this way you can get quite accurate idea of the guest size which will help you in deciding food and beverage quantities also.

2) Target Audience Status

If you target audience are rich people then your venue must be a five star hotel or resort and all the services provided during the event must be of very high quality.

3) Target Audience Convenience

Select venue according to target audience convenience. Your venue should not be very far from the place where majority of your target audience live. Your venue should have proper lighting and ventilation. It should not be in a noisy or polluted area. It should be absolutely neat and clean and free from any type of infestation.

4) Climatic Conditions

Keep Climatic conditions in mind while selecting a venue. If you are going to organize an event during rainy season or during peak winter then selecting an open-aired venue is not a good idea. Always try to organize indoor events if possible as there production cost is lesser than the outdoor events.

Read more here!