9 Things To Consider When Choosing A Music Venue
So many musicians that You know where to play locally. You've been to most clubs and have made mental lists of the venues you'd like to play. Some of them are venues you want to pursue now and some you set as ones to work for when your fan base is a bit bigger. Some you've played and have vowed never to play again and some you can't wait to get back in at. But what about booking a tour where you don't know the town, have never seen the venues and don't have people on the ground to report back?
Here are 9 things to consider when choosing a music venue either at home or when booking a tour:
1) Capacity
Every booker wants to know what your draw is. If you have no history in the area (and no online buzz) then your draw is 50. Well, that's what you'll say. You can get 50 people out to any show if you're smart about promo (and team up with great local openers). Locally, once you're experienced and have a name around town, when you book your big shows every 6-8 weeks you'll have a pretty good idea of how many you can bring.
When you can, always book a venue with a capacity one person smaller than your draw. Meaning, if you can draw 500, book a 499 cap room. If you can draw 50, look for 49 cap rooms. It's better to sellout a 200 cap room than play a 500 cap venue and have it two-thirds empty. Sure, it's cool to put well-known venues on your tour calendar, but it's better for your overall career to pack people in and give the best possible show to a full house - regardless of the size. Those who get in will be buzzing with excitement that they can experience an exclusive (to ticket holders) event and those who get turned away will know your next time through they'll need to get tickets quickly.
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Do you want a successful, stable and rewarding music career as a professional musician? Would you like to know exactly what record labels, music producers, and artist management companies are looking for when seeking out new artists? There are many great musicians who are not able to build a successful career in music because they do not know what it is these music companies want from them. As a result, many struggle and wonder why they are unable to "make it in the music business" even though they may be incredible musicians with great songs. What usually happens is that musicians start to believe the common myth about 'luck'. They believe that you need to "get lucky" in order to "make it in the music industry." The result is that most musicians give up on their dreams and get a normal (non music related) day job.
Steps Involved in Writing the Evaluation of an Event
So many musicians that read our site or go through some of our training go back to the same problems.
They are musicians, not marketers or internet superstars. This post is not meant to be an argument for the musician / businessman, but rather for those that want to get some things off their plate. We have been experimenting with outsourcing firms, VA's and local workers (college students/super fans) to see what we can dish off a musician's plate so they can focus on the bigger picture items.
Here are 5 things that can be outsourced and give you a sigh of relief:


Imagine this…you’re in the local hospital’s pre-op ward waiting for the removal of your pesky rupturing appendix. You wait and wait in side splitting agony while your doctor chats it up with the nurses, gathering phone numbers from the hot ones. After what seems forever, he gets you prepped and begins the surgery. What should have been a 20-minute procedure turns into two hours. He cracks jokes and talks about his cherry red Ferrari, while you’re lying unconscious with your abdomen split open. Finally, you’re sewn up and ready for recovery but super surgeon and his crack anesthesiologist are having a heated discussion about the science of their golf games and have seeming forgotten you’re passed out underneath them with tubes stuck in every orifice. If this were your surgery experience, you’d freak out, sue the hospital and your hot-shot doc would wind up cleaning bedpans at the state convalescent hospital.
