Are you:



Please call us 800-200-3737 or send an .
Please call us 800-200-3737 or send an .

Blog

FestivalNet

What Food Business Is Right For You?

posted October 22, 2013
What Food Concession Business is Right for You?: Comparing Stationary Food Stands & Temporary Food Booths
Barb Fitzgerald

Facebook Twitter More...

Food Booth Business Many people starting a food concession business are unaware of the variety of business opportunities that are available to them. They have a vague notion there is money to be made but cannot imagine exactly how. The business becomes a little clearer knowing most concession businesses fall into one of two categories; stationary and temporary.

A stationary food stand is essentially a conventional "storefront" operating full-time from a single location. Storefront carts, drive thru coffee trailers, indoor food kiosks, and street side food stands - to name only a few - are all considered stationary food stands. A temporary food booth, on the other hand, sells food at a different location on a daily or weekly basis. These concessionaires set up their booths at a variety of temporary events, such as fairs, festivals, sporting events, auctions, concerts, open-air markets, and special-interest events - nearly any place that a large group of people is temporarily gathered. A stationary food stand, like any business, stays in one location and waits for customers to come to it, whereas a temporary food booth takes its business to the customers. It is this mobility, or lack of mobility, that makes them very different. In order to better understand the unique nature of the concession business, and to imagine the variety of opportunities the business has to offer, it is helpful to explore the differences between the two.

Do not let my biases influence you. Although some people may hate certain aspects of a stationary food stand or a temporary booth, others may find these same characteristics are just what they seek in their businesses.

Read more here!

Tricks of the Trade

posted September 19, 2013   category » Festival Food Vendors

GET THERE EARLY!!!

 

There are some vendors who get to the shows very early and some who get there just minutes before the event starts. Since it takes us a long time to set up, we are one of the early birds. As time goes on, things can become more hectic by the minute. It's nice to get there, unload, park the vehicle and set up. Whatever works for you.

 

The squeeze. In a lot of events, a 10x10 space is exactly what you get. Your canopy is 10x10 and have you ever found yourself getting to an event where canopies are set up on each side of you and they have 'squeezed' you out. Like, you are short several inches which makes propping up your canopy difficult. One time in Clovis I arrived there somewhat late (coming from the Bay Area in the wee hours of the morning) and found that I only had about 4 feet for my space. Each space was supposedly 10x10, but a number of vendors used a 'few extra inches' and I ended up with that. They had to push their canopies over to allow me to get in. I must say that was not very easy to do.

 

Get to your event early. It's hell waiting at the end of a street for cars/vans/trucks to unload. Plus as time goes on, people do get stressed out. Also, if there are any problems with your space, etc., you can get things worked out a lot easier (if possible).

 

Read more here!

Make the Most of the Holidays for your Music Career

posted September 19, 2013
Make the Most of the Holidays for your Music Career

Heather McDonald of about.com

Facebook Twitter

 

play as a bandIn general, the end of year holiday season is a difficult time for indie labels and bands to compete with the majors and all of their holiday, best of and greatest hits releases. That doesn't mean you can't live it up during the season with a little fun of your own. These ideas may not be big money makers, but they can be a great way to give your fans something special for the holiday season. There are ideas here for bands and labels alike, so everyone can get into the holiday cheer.

 

Here's How:

 

Plan a Holiday Gig:

 

A holiday show in your hometown is a great way to show your fans a good time during the season (and give them a break from visiting family and office holiday parties). Go for a small venue and deck it out in seasonal glory to give the show a personal feel - your gift to your fans. Other ideas to bring the holiday spirit to your show:

  • Free entry for everyone OR
  • Donate all of the door money to a favorite band charity (and remember, no guest lists at charity gigs!)

1. Release a Special Single:

 

It may be hard to release a new album for a small indie label or band after October, when the roost is being ruled by major label, "big bang" releases, but that doesn't mean it isn't a good time to bring something special to your die hard fans. Release an unreleased version of a fan favorite, a remix, a cover song, or a b-side you have sitting around. You can release this single as a download through your website to keep your costs down, but you could also release it as a CD (or even CD-R with special artwork). The idea here is to do a limited run. Want to make it really special? Think 7".

 

2. Release a Holiday Themed Album:

 

This one follows a little bit from the previous suggestion, but whereas the idea there is to release a special, limited edition song that is in keeping with the music you usually make, this one is all about singing holiday songs. Put your own spin on holiday favorites or create a few new holiday classics of your own.

 

3. Holiday Newsletters:

 

You know those annoying "what we've been up to this year" newsletters you get from distant relatives? Well, you can take this idea and run with it for your band or label (of course, you will want to be slightly less annoying and way more interesting). Give everybody a reminder of the highlights of the past year and sneak peak of what you planned for the next one. This is a good way to remind people about releases you have that might make great holiday gifts and get the word out about upcoming tours. Send the newsletter to your fans and your press contacts.

Read more here!

Should You Change your Name for the Sake of Art?

posted September 18, 2013
Should You Change your Name for the Sake of Art? Todd McPhetridge for Artsy Shark Facebook Twitter More...

 

 

Maybe your name has more consonants than words from the U.S. Spelling Bee. Or let's say you have a thriving career, and don't want professional contacts to know how much time you spend on your passion. Perhaps your name is John Doe. Whatever the reason, a lot of emerging artists consider working under a pseudonym. Been there and done that, boy was it fun.. not. Here's the real scoop on what to think about before using a snazzier name for your art.

 

Paradise Haze by Todd McPhetridge

 

My given name is Todd McPhetridge. A little bit lengthy, and surprisingly easy to mispronounce (the 'Ph' makes a "Feh" sound, by the way.. as in MC FEH TRIDGE). I've been called every name in the book, from Mctheridge to Muppetridge and everything in between. As an online marketing consultant, I know that in the web-O-sphere, keeping it short and sweet is often the ideal. Pretty sure nobody got rich off www.supercalifragilistic.com.

 

When I wanted to market my art, I thought it made a lot of sense to give myself a pseudonym for that work. My art needed a simpler name. Easier to find online.. you know something more "marketable" I approached constructing my pseudonym like some major brands test market their new consumer product. Ahem.. meet Todd Ridge. Snazzy huh?

 

Read more!

 

The Benefits of Collecting Direct Economic Spending

posted September 18, 2013
The Benefits of Collecting Direct Economic Spending
Jarrett Bachman & Collin O'Berry of Looking Glass Strategic Research Consultants in Asheville, NC
Facebook Twitter

The economic impact that festivals & events have upon local communities can be profound. In the industry, the focus is often on "Direct Economic Spending" or "Economic Impact Assessment" in reference to the figure that represents the amount of money produced by the festival or event. In this article, we will explore attendee spending & economic impact assessments to highlight the processes & benefits of conducting this type of research. Oftentimes, the terms "Direct Economic Spending" and "Economic Impact Assessment" are used improperly. The difference between these two measurements is subtle in text but monumental in meaning. Direct Economic Spending refers to the total amount of money spent in a city or county as a result of a festival or event. The total amount spent per person for different types of attendees (most often residents and non-residents) is calculated and extrapolated for the total attendance. An Economic Impact Assessment is far more detailed. Essentially, it starts with Direct Economic Spending numbers and traces how money flows through & impacts the community as it is spent and re-spent.

 

Conducting a Direct Economic Spending assessment provides information about spending across a variety of segments.

Read more here!

Crafting Your Brand

posted August 22, 2013
Crafting Your Brand An Excerpt From Crafting Your Brand by Matt Tommey via ArtsyShark Facebook Twitter More...

 

 

When it comes down to it, people rarely buy what they need. They always buy what they want. Part of our job as creative entrepreneurs is to make sure that what our niche market wants is what we have to offer. The best way to convince them is by telling our story.

 

Over the years as I've been an artist, author and marketer, I have come to believe one thing passionately - people buy the story. I remember working as a marketing consultant for a nonprofit in Atlanta when one day a patron came to me and said, "Wow, you make this organization look so much bigger than it really is." I replied "Thanks, I'm just telling the story in the best way I know how."

 

The same has held true with selling fine craft. I'm a basketmaker and I've been doing that for about twenty years now off and on. When I finally got serious about pursuing my craft, I did a little research on the field and began referring to myself as a contemporary basketry artist. I also started to notice that the pieces I had always made - functional Appalachian-style baskets - were no longer selling like my other more sculptural, one-of-a-kind pieces. I could make those sculptural pieces in half the time and make twice the money. I enjoyed the process even more and so guess what I started making more of? You guessed it, sculptural, non-functional art baskets.

 

Read more!

Fusion Trailer Trends

posted August 22, 2013   category » Festival Food Vendors

 

The trailer food business is, by nature, a fusion business. It blends the best efforts of gourmet chefs with the street food medium. Yet some food trailers have taken the fusion concept a step further and created their menu with a blend of two or more culinary cultures. Here is a sampling of fusion food you can find in the mobile food scene in Austin:

 

The Peached Tortilla: Asian + Southern Comfort

Web:thepeachedtortilla.com

Suggested dish:Pad Thai Taco ($3) - Chicken or tofu sauted in a traditional pad Thai sauce, bean sprouts, peanuts, lime wedge.

Story:Former attorney Eric Silverstein was born in Japan. Having traveled throughout Asia to China, Bali and Singapore, he has been exposed to different cultures and foods from an early age. At ten, he moved to Atlanta where he learned about the sultry influences of southern cuisine. When he started his food truck concept, it made sense to mingle the best of both worlds and utilize both Southern and Asian cuisine with the tortilla as his pallet. Thus, the Peached Tortilla was born.

 

Read more here!

Approaching Music Journalists

posted August 22, 2013
Approaching Music Journalists

Blake Guthrie

Facebook Twitter

 

play as a bandAs a working musician who is also a working music journalist I've made friends in both fields of the music industry, so I feel I have something to offer to this topic outside the traditional methods.

 

The number-one thing to consider when approaching a journalist is first-contact. Do you want to make first-contact via e-mail or snail-mail (which still works, by the way) or in person?

 

If you choose e-mail, be concise, professional and personal. A professional music critic receives so many e-mails a day that he or she can't keep up with them. A short personal note up front just might be the trick to being remembered, because then they will feel the need to respond.

 

If you choose snail-mail show them your handwriting somewhere, like a note in the margin of your press release, to grab their attention away from what they are used to seeing in the typical press release.

 

If you choose to make first-contact in person, congratulations. Actually meeting a music journalist in person for the first time is like a trifecta when it comes to scoring good press. It becomes much harder for someone to ignore you when they have actually met you face-to-face and shaken your hand.

 

The thing to remember upon meeting the music critic is that the critic is a music geek, just like you. State your name and what you do but then proceed to talk about OTHER music besides yours. They will remember you then. After that FOLLOW UP. The follow-up is the key to getting press. They don't care about you, but you do care about them, so FOLLOW UP (this tenet involves exchanging contact info, which should go without saying).

 

Outside of meeting the writer in person, do your research. The first major press I ever received as an artist came from researching the tastes of the three music writers in my local paper. I realized after doing the research that only one of these writers would be into my music. I sent a personal e-mail inviting him to my show, opening for another act he had written about in the past. Upon meeting the writer after the show the first thing he said to me was "I never would've come out early to see you if you didn't send me that e-mail."

Read more here!

How to Maximize Sponsorship Opportunities

posted August 22, 2013
Survey Research: How to Maximize Sponsorship Opportunities
Jarrett Bachman & Collin O'Berry of Looking Glass Strategic Research Consultants in Asheville, NC
Facebook Twitter

In today's festival & event industry, the need for strategic sponsor partnerships is greater than ever. In order for festival organizers to obtain these high-value partnerships, sponsors are constantly requesting to see research data that demonstrates a quality match between festival and event attendees and their product or service. Survey research is one of the most effective ways to obtain that needed data.

How to go about conducting survey research is often a difficult choice for festivals and events. For non-ticketed productions, on-site intercept surveys offer the best option to collect accurate data. For fully-ticketed productions where an e-mail bank of attendees exists, internet/e-mail surveys administered shortly after the event can prove to be a valuable data collection tool.

From a sponsorship standpoint, surveys need to be designed to collect the data most pertinent to targeted sponsors. In some cases, this can be as specific as asking attendees questions related to their purchase intentions of a specific product or service. In other situations, more basic information such as age, gender, and income will best help festivals and events secure sponsorship dollars.

Knowing as much as possible about your target sponsors is critical. Sponsor investments are only made when a degree of certainty about return on investment is felt. As a result, survey research cannot be executed haphazardly. As a potential investment for a company, finding those key pieces of information that sends your sponsorship application over the top is a difficult one. Intentionally designed questions aimed at lifestyle traits, spending habits, and brand affinities are a good place to start, but what key piece of information will close the deal?

Read more here!

Take the Leap!

posted August 21, 2013
Take the Leap!
Jenna Herbut from Make It University

Facebook Twitter More...

Have you ever told yourself "I'll do that when I have this" or "the timing just isn't right but when it is I'll start doing insert dream here." Problem with these good intentions is that they are just intentions. The perfect time usually never comes. The stars don't align and the damn ducks just won't line up! This is ultimately how we get stuck lives we don't love and avoid taking chances.

Following your dreams doesn't get any easier the longer you wait. Talking yourself out of the things you really want to do gets super easy as more and more time passes. Then you get to a point when you let the dream go because you have successfully convinced yourself you couldn't have even done it if you tried. *Big sigh*

This is sad. You have SO much potential and so much amazing creativity to share with the world, that to squander is not only bad for you personally, it's also selfish to the rest of us. Think about your favorite musicians, artists, writers, designers, dancers, and performers. What if they decided that the timing just wasn't right, or that they needed to do this, that and the other thing before they went for their dreams? Our world would be a grim, dark place and not very much fun.

Read more!

Keeping Your Crowd Cool At Outdoor Events

posted July 24, 2013
Keeping Your Crowd Cool At Outdoor Events
The Writing Team of event-solutions.com
Facebook Twitter

 

 

As heat waves continue to roll across the nation, planners who have upcoming outdoor events may tend to panic. How in the world are you going to keep your guests cool and comfortable if the weather turns blistering?

 

Of course, there are always portable air conditioners and fans, but if that stretches the budget or exceeds the power supply, you have some other options.

 

A Cool Damp Towel

Nothing feels more refreshing than a cool, damp cloth when the temperature is feverish. You can offer your guests that sensation with individualized, 100 percent cotton, pre-moistened towels. Patterned after the traditional oshibori nakins offered before a meal at restaurants in Japan, they can be used on hands, faces or even feet. It's a snap to chill down the packages in a refrigerator or freezer before the event.

These napkins come in different sizes and scents including lemon, lavender and peach mango. They are also available unscented. A nice added touch is that you can customize the packaging to include your branding or sponsor information. One source: www.wtowel.com.

 

Drink a Watermelon

Guests will appreciate a nice cold drink, and it's even better spiked with a little jolt. Here's a fantastic summer drink from our friends at Feastivities Events (www.feastivitiescatering.com) in Philadelphia. It's easy to make in large batches, and is a luscious thirst-quencher.

 

Read more tips on here!

 

The Power of Simplicity

posted July 24, 2013
The Power of Simplicity
The Writing Team at retailpackaging.com Facebook Twitter More...

 

 

 

Amy Faust is an Oakland California based jewelry designer who uses color and a confluence of organic shapes combined with a variety of recycled materials to create contemporary, elegant and highly wearable jewelry. Amy is also a dedicated "Green" artist and is as eco-friendly as possible in her business.

 

She has received many honors and been featured in prestigious publications including:

 

  • VOA (Voice of America) Featured "Green Crafter" 2010
  • Best of American Jewelry Artists (book) 2010
  • Midwest Home's "Greenest Artist" American Craft Council (St. Paul, MN) 2010

 

In Her Own Words

 

"I love simplicity, color, light, subtle texture and the mysterious connection that art has to nature. As a visual person I am always looking for inspiration from both the natural and urban environments."

 

Read more tips here...

A Food Concessionaire Remembers Her First Event

posted July 24, 2013   category » Festival Food Vendors

I think every food concessionaire remembers his or her first event. Mine was with a stick joint made of scrap barn boards, screwed together on sight by my dad and me. It took all day and lots of hand tools to have it standing straight enough to throw a tarp over it and call it a food booth. Inside I had a folding table, folding chair, stack of napkins, cash box, and, a tall stack of coolers full of my one and only menu item: sliced loaves of banana bread. I knew it wasn't the perfect menu for a five-day Fourth of July event, but, since I was already baking loaves to sell to restaurants, it was easy to bake extra. Besides, what's not to like about banana bread?

 

In anticipation of sales, for a week prior to the event, I stayed up late each night baking bread in my home kitchen. By fair time I was ready with two freezers full of bread. I mistakenly believed I would sell every one of them. It's amazing now to recall how, back then, the health department was much more lenient in their food service licensing than it is today. By just answering a few questions, such as: "Is your dog an indoor or outdoor dog?" I was able to get a license to cook commercially at home.

 

I wanted a classy looking booth so an artist friend hand lettered wooden signs for me. On the front counter I plunked down a nice bouquet of flowers. I was set to make my mark in the concession business.

 

Read more here!

A 10 Step Approach to Develop a Series of Exhibition Paintings

posted July 23, 2013
A 10 Step Approach to Develop a Series of Exhibition Paintings Lori McNee Facebook Twitter More...

 

 

A lot of thought and exploration goes into developing a series of paintings for an art exhibition.

Today, this has been a topic of conversation between my good friend and fellow artist, Shanna Kunz and me. Shanna and I are exhibited together in an all women art show, Broad Brush Stokes.

Shanna and I love to talk ‘shop’ when we are together. Today, we have been discussing the importance of producing a cohesive body of paintings for each of our upcoming winter exhibitions.

 

I was really impressed with Shanna’s clear 10 step approach to developing a series of exhibition paintings. Shanna is a landscape painter, but these steps could be applied toward any painting subject.

One

The first step is to decided upon a theme.

For example: For a landscape painter, the theme might be a regional location, or a season, or you might choose to focus on abstraction, or paint quality.

Two

Next, it is important to plan the shape and sizes of your paintings. There is an emotional connotation attached to different formats.

  • Horizontal = peaceful
  • Vertical = majestic, active
  • Square = risky, contemporary
  • Standard = traditional

 

Read more!

 

Managers - You Can't Live With Them, But Can You Live Without Them?

posted July 23, 2013
Managers: You Can't Live With Them - But Can You Live Without Them?

Sheena Metal

Facebook Twitter

 

play as a bandThe absolute, number-one, most important thing to remember when playing live music in front of an audience is this:

 

You can't throw a rock in any metropolis on Earth without hitting someone claiming to be a manager. Where musicians go, managers follow. It's as accepted and expected in the entertainment industry as an out-of-control cocaine habit or a failure to pay taxes. When you tell people you're a musician, one of the first things they're going to ask you is: Do you have a manager? However, those in the throws of the music business know to ask an even more accurate question: Do you have a good manager?

 

"What's the difference?" you may ask. Isn't any manager better than no manager at all? While it would seem that the answer to that question is unequivocally, "Yes," in reality it's a bit like asking, "Isn't having a herpes-ridden prostitute for a girlfriend better than being single?" In truth, bad representation is far worse than a lack of representation. While, it's a fact, that there are things your band will probably never achieve without the aid of a manager, agent, entertainment attorney, etc., bad representation can stagnate a career..stop it dead in its hurling climb to the ranks of superstardom or even worse..undo some of the hard work the band has already done.

 

Sad but true, a bad manager can take a perfectly good band and turn them into a thing so foul that old gypsy women covering their faces with rags will spit and give your band the evil eye as you pass. Ok, that may be a bit dramatic, but seriously..all your band really has is its name and its reputation, so why would take a chance on either of those by putting the whole of your band into the hands of someone that you're not 100% sure has your best interests at stake?

 

Read more here!

Improve Festival Logistics with Utility Vehicles

posted June 26, 2013
Improve Festival Logistics with Golf and Utility Cars
Ed Pearsall of Cunningham Golf, Sport & Utility Vehicles
Facebook Twitter

 

Moving people and stuff around in a festival environment can be a challenge, and the larger the land area the event occupies the bigger this problem becomes.

 

An effective solution for dealing with the on-site festival logistics is the use of golf and utility vehicles. Since most festivals are an annual event, renting make more sense than ownership, especially where many units will be needed.

 

Let's start with a definition of the types of units that are normally available for event rental. The most obvious is the traditional golf cart. This is a 2 passenger, bench seat vehicle with a small storage area in rear. They may or may not have a top. They may be powered by a small gasoline engine or by a rechargeable battery pack. The electric powered units have the advantage of being very quiet and they do not produce any exhaust fumes. These units are best suited for indoor use, or perhaps around animals. However, the gasoline powered units have a much great operation range than the electrics. Typical gas golf carts can run 150-200 miles on a tank full of gas, and can be filled up and used again immediately. The electric units will only run 10-15 miles on a charge, and at that point they require a 6-10 hour charge, which also means a 110 volt electrical source must be available, one for each unit. Gasoline powered units are the most commonly used type in festivals. Uses for this unit include Parking lot patrols, security, management, and very light hauling.

 

Read more tips on here!

 

Gordon Ramsey's Recipe for a Successful Business

posted June 26, 2013
Gordon Ramsey's Recipe for a Successful Business
Aaron Shuster helium.com
Facebook Twitter More...

 

 

 

For many years, this writer has been an enormous fan of Gordon Ramsey's show, Kitchen Nightmares. It is a show that keeps the audience captivated with both real life drama and built in suspense. For those unfamiliar with the show, the premise is that Master Chef Gordon Ramsey travels around the country to save various failing restaurants from certain bankruptcy. Ramsey literally has one week to turn a failure into a success. Every week, Chef Ramsey, like a skilled surgeon, must overcome tremendous odds and breathe new life into an almost moribund patient. Amazingly he is successful almost every single time turning water into wine. How does this wizard of the kitchen do it? What lessons can you learn from him to reanimate your failing business?

 

Review the Situation

 

In the musical, "Oliver," the character Fagan sings a song about reviewing the situation. That is the first step toward making a change to any problematic situation. Take a step back and make an objective analysis of your business. In a harsh light, examine its strengths and weaknesses. It might even be helpful to have an outsider or friend come in to examine it.

 

Read more here!

Art + Commerce

posted June 25, 2013
Art + Commerce
by J. Michael Dolan Facebook Twitter More...

 

 

Entrepreneurs are artists, and artists are entrepreneurs. Artists need to express their art, entrepreneurs need to exploit their art. Problem is, Art is always on the battlefield with Commerce:

 

Art wants nothing more than to be expressed.

Commerce wants nothing more than to profit from Art.

Art dreams about being admired.

Commerce dreams about abundance.

Art wrestles with the doubting mind of the artist.

 

Read more tips here...

How To Prepare For Gigs And Make Your Live Shows Better

posted June 25, 2013
How To Prepare For Gigs And Make Your Live Shows Better

Tom Hess

Facebook Twitter

 

play as a bandThe absolute, number-one, most important thing to remember when playing live music in front of an audience is this:

 

The very best way to get more people to repeatedly come out and see your band play live is word of mouth. When your live shows are great, people will like it and talk about you to their friends both online and offline. Besides the obvious point of playing good music that people like, there are 5 main areas of preparing for your gigs.

 

1. Your individual playing

 

The most important thing you can do (individually) to prepare for your gigs is to focus on playing your songs 'consistently well'. To improve this, practice your songs in a wider variety of environments and situations. Play your songs standing, walking, in the dark, under a strobe light (if you have one), while talking, without looking at your guitar, while friends are listening, etc. The key point is to practice playing consistently well in all those different scenarios. This will help your individual performances on the stage.

 

2. Your band's performance

 

When your band rehearses, you should NOT be focused on playing the songs correctly. If your band mates cannot play the songs flawlessly BEFORE the band rehearses, send him/her home to learn the songs. Once he/she has truly done that, then bring that person back to band rehearsals. Band practice is not about 'holding people's hand through the process of learning the songs which should have been learned at home. If you have a band mate who needs your help learning the songs, you can do this by meeting alone with that person to help. However, if this is a consistent problem, then you may need to replace that band member for someone who is better (or less lazy if that is the case).

 

Read more here!

Be Your Own Publicist

posted June 25, 2013
Be Your Own Publicist Jenna Herbut of Make it University Facebook Twitter More...

 

 

Do you feel like you could really use some public recognition right about now? Are you frustrated that your peers are getting covered in the media and you are not? Worried that the only way to get some coverage is to shell out for an expensive publicist?

 

 

Fear not beautiful crafty entrepreneur! You can DIY.. and it really is not that hard.

 

Here are some easy steps to BYOP:
  1. Decide what sort of press coverage you would like. Get specific on what magazines, newspapers, TV shows you would like to be featured. Check out where your peers are being covered. What is your overall goal in getting press? Write all of this down and get very very clear on your vision.
  2. Create a press list, which is simply the names and emails of potential interviewers. Excel and Google Doc will keep you organized.

 

Read more!